September 7, 2009

Architect Turned Artist?


Indra Ramanathan is both an artist trapped in an architect’s body and an architect trapped in an artist’s body. His day job places him as the man behind edgy design conscious clients such as BRDB, Sultans Lounge and KL Convention Centre… Always one to push and explore his creative boundaries, Indra's creative and personal journey takes form through paint when his first ever solo exhibition dubbed (sans) Horizon at Pace Gallery opens this Wednesday…


Whatsart caught up with him, his friend;Yeo and Yusof Majid at an… ahem… bar converted from an old barber shop called Super Lady somewhere in Kepong …his pick, but actually a lot less seedy and so offbeat that it was really kinda cool in a Quentin Tarrantino-esque way to get the down low:



How Long Have you been working on your show?

I reckon I’ve been working on it for about 20 years. I used to paint and stopped because I got busy running a commercial practice as an architect, that’s my day job which has taken me all over the world. It’s been a long time coming… But physically, with the studio space and being serious about everything, really in the last 8-9 months… I’ve basically thought about doing this for a long time… trying to transpose my thought process and architecture from 2-d into artforms all my life… I’ve been thinking about doing a body of work ever since I was studying.


Describe your thought process and creative journey for this series

I’m going to be painting for 4 years from this year; ‘9.9.9’, -9 pieces by 9th, September, 2009; 10.10.10; 10 pieces…. until 2012, and the pieces are all going to be at Pace, and really I think the defining moment, or when I will be taken seriously as an artist would be next year. ‘Cos this year it’s already sold out, it’s gonna happen just because my friends are gonna buy it.


The paintings are about all the places I’ve been, cities that my work has brought me, so this show will contain my journeys through 9 countries… I painted everything together, at the same time, people think I’m crazy, someone told me I should paint them one by one but I was like f*** that I was lining up the canvasses everywhere and painting it all at once. It was a very emotive experience.


My wife has not seen it yet... she is very worried but at the same time looking forward to it.


Yeo: I don’t think any of them would look out of place in a corporate office… He’s genius


How would you describe your style?

Abstract minimalist using layer, over layer, over layers of color that changes as I go along and I stamped it with the airport code of each city… like KUL for Kuala Lumpur. It represents the journey and whatever impressions those cities have left on me… The stories and I could tell you about the hundreds of thing that happened to me which I’ve expressed in these paintings. Emotions that I have no words for.


Yusof: Hey! Say Something about Pace Gallery in there!


What was the catalyst for you guys deciding to do it at Pace Gallery?

Indra: ... just turned forty and I pretty much have everything I want, and I don’t want to miss out on this…opportunity to explore different mediums self expression. I’ve had a blessed life, Thank the Lord … And because Pace has agreed to.


Yusof: trying to sound clever... Because I want to see an architect transfer the monumental, structural thought process documented on a canvas.


Indra: No, really. I like the fact that he moves the emerging, young artists


Have you developed a distinct style or do you intend to work towards developing one?

At this stage I would say no


Are you a collector yourself?

I have about 30 pieces… Khalil, a lot of Sabree, I have a few new UITM grad works, Wei Ling, it’s very varied.


Anyone you’re particularly drawn to?

I appreciate all art forms


See Indra Ramanathan pull off his solo exhibition this wednesday, 9th September 2009 at 9pm, Pace Gallery or watch this space...


April 26, 2009

Being Ahmad Zakii Anwar

Time Magazine called him a sexual-rights advocate. Famous for his realist male nudes, Zakii is definitely one of the most internationally accomplished Malaysian artists. So what's he really about? The man who is responsible for bringing sexy (figuratively) back to Malaysian Contemporary Art is wise, self-aware and wickedly funny as I found out when I got the pleasure of chatting with him about life's distractions, the meaning of success, annoying writers and what keeps him up at night.

Zakii's work in progress

So, has your life unfolded pretty much as you'd hoped?

Yes sort of. I'm happy with where I'm at... but I've never expected anything in life, you know?
I think whatever success is, the important thing is to do the work.

How would you define a successful artist?
You can define it from a financial perspective if that's how you want to measure it. But for me I think it's important to do things which you want to do. The money is good, I mean it's great. It helps you but even if it's not there you can live without too much money.

So you're saying success is more important than money? Or are they tied together?

Depends how you define success. It's always nice to be successful financially but if you're successful artistically it kinda comes with the territory. A lot of people want to be successful but they don't want to put in the effort... it's important not to think about the success but the effort because success is the end result. It's the effort that counts because if your success is not based on good work then it will only be temporary. Don't think about the success, don't worry about the money. That will come automatically, just put in the effort and success will come. It's a bonus. It's not easy for any artist... it takes at least 5-10 years of hard work before you get some sort of recognition but people always pray for success and money but never for the efforts. But really that's what they should do -pray you make the right decisions and that your efforts are good.

You have a reputation of being elusive. You know this right? How would you respond to this description?
uhm... well... (infectious laughter)
Meaning how? Not easily...

Accessible?
I'm just basically a loner that's all so I don't socialize that much... I used to drink a lot but then I stopped. I don't socialize that much anymore. There was a point in time where I did but these days I tend to be at home.

Is that reflected in your work at all?

Not really... I don't even paint that much anymore. After the Petronas show, that was in August and then I did that charity show with Rogue Art in late October, after that for 3 months I didn't work. There was a time as an artist you do not want to be anywhere but in the studio painting, but now things have changed. Maybe it's age or you get lazy. (laughs)

What keeps you awake at night?
The internet. I read a lot and I like painting at night actually... I'm nocturnal. I think when I'm asleep the creative energy is not used up so much. You feel the energy when you're alone. So I like working at night.

Do you google yourself?

Yes!

Is there a message that you hope comes out through your work? Or theme?
Really it's up to you, if you look at this drawings (gestures to his work) there's no expression, the guy's on a white background and you can't relate him to anything so I'm letting you engage in whichever way you want because the figures are not particularly in action, not angry, in despair or crying. I refrain from making any statements. I'm presenting a situation so you react to it according to how you see things.

What is the one question that you've never been asked that you wish a writer would ask you?
Depends on the writer. A writer from the newspapers once asked "How many paintings do you have? ...How many days did you take to do this?" (laughs) Artists are great B.S-ers, you know?

*Clearly that's not what he likes to be asked.

But surely there something you've thought of that you're thinking ..why do they never ask me that?
Really a lot of artists can't explain their work not because they're not intelligent or they don't know but simply because they think visually they don't think in words. It's more of a visual intelligence.

Does visual intelligence have anything to do with emotional intelligence?
Yeah. It's connected. Visual intelligence is something you're born with. You can learn it but if you don't have it you'll never have it. I've always wondered about the relationship between an artist and a collector. Like Steve (Wong) for example; obviously there is a certain connection there, a vision, the collector has a visual intelligence but he can't articulate it into a painting.

*I'm finding Zakii visually and verbally very articulate thus far.

What's on Zakii's Fridge

How do you pick your subjects?
If I'm painting a banana, I'll go to the shop and spend quite a bit of time looking for that particular banana.

Wait. So you decide you want to paint a banana first? You don't see a banana and decide you want to paint that?
Yes. Curve, texture, color. It has to be that particular one. When I choose a model it's the same. That certain figure, or look says more to you, that you identify with. it's not logical it's instinctive; you feel a connection. Because if I'm not excited about this thing or person, I can't paint him. This guy does yoga by the way (points to nude painting of super ripped Robert)

Ever paint naked women?

Yes. But I prefer the male body. It's more interesting. (gestures to his work)

*I find myself agreeing. But by now I totally have a not so secret crush on him.

Are you a collector?
I collect weapons. The Keris. Malay weapons. It's an extremely deadly weapon but it is also extremely beautiful at the same time. It's in itself craft. The combination of extreme deadliness and beauty I find that attactive. Beauty and danger gives it a different dimension, a certain intrigue. But not seriously. The most I've I've paid is about RM 8,000 but they go for a few hundred thousand.

What about art?
Amongst artists yes we swap. We have that privilege. (cheeky grin)

Who are the younger artists that you're watching?
I like Shamsuddin Wahab. He's good. He's now doing his residency at Rimbun. Beautiful figurative work. I don't know who else because I don't go to KL that often.

Would you say you've come full circle or is there more to be done?
When I get in my lazy mode and I don't paint the only way to start working is to commit. Because you get into this mode and then you say to yourself ..."Okay tomorrow I'm gonna start work but of course tomorrow you don't start, I'll do something else, then it drags on and then a week goes by...

What do you do in 'lazy mode'?
I do nothing. I'm an expert at that. (more infectious laughter) No actually there's lots; gardening, fool around with the kids, go to movies, read, travel.

Any secret guilty pleasures?
Plenty but I'm not telling. (After some pleading) Okay here's one... every night before I go to bed I get on youtube and watch bugs bunny, my favourite cartoons, Richard Pryor or Carol Burnett, Robin Williams, or Rowan Atkinson who by the way is really funny. Anything that makes you laugh because I think you should go to bed happy.


Zakii translates the everyday and the ordinary into extra-ordinary. Influenced by the development of figurative realism within painting in contemporary Malaysian art practice, Zakii has explored a huge range of ideas and style through his works, which includes works from the early still-life series to his monumental charcoals on paper.

Zakii's latest series, Being; -based on the Sufi premise of "knowing oneself and then knowing God", an encounter with the body as a metaphor for the contemporary Self. The exhibition of 10 figurative works is going on now until 7 June 2009 at the NUS Museum in Singapore. This exhibition is presented by Gajah Gallery and the NUS Museum.

 

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